Mastering In Cubase

Creation Time	April 22, 2024, 7:03 a.m.
Last Access Time	Sept. 7, 2024, 8:17 a.m.
File Size	945.7 MB
Keywords	In Cubase Mastering
Total Requests	7
Total Files	90
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VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/78. Statistical Analysis Of The Mixdown.mov 37.5 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/86. Comparing Tracks.mov 36.7 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/74. Using The GEQ-30.mov 31.3 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/05. Remastering Comparison.mov 29.9 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/43. Adjusting The 4 Frequency Bands.mov 29.2 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/25. Checking The Gain Stage Of The Master Fader.mov 25.3 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/84. Multi-Project Mastering Concepts.mov 24.2 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/07. Bit Depth - 16 Bit vs 24 Bit vs 32 Bit.mov 24.2 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/77. Export - Audio Mixdown.mov 21.7 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/76. Adding A Consumer Smiley Face EQ.mov 21.1 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/04. Peak Volume vs. Average (RMS) Volume.mov 20.2 MB
VI. Mastering Your Project/13. Using The Multiscope Plug-in/70. The Multiscope In Frequency Spectrum Mode.mov 19.6 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/72. Setting Up A Cubase Project For Mastering.mov 19.5 MB
II. Understanding Compressors/05. The Controls Of A Compressor/30. Creating A Cubase Project For The Next Chapters.mov 19.4 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/85. Where To Put The Plug-ins.mov 19.2 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/09. Sample Frequency (in KHz) - 44.1 vs. 48 vs. 88.2 vs ....mov 18.8 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/24. Monitoring The Mastering Plug-ins.mov 17.1 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/27. Increasing Your Audio Interface Buffer During Mastering.mov 17.0 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/75. Using The Maximizer.mov 16.1 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/52. Q-Factor.mov 15.4 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/89. Exporting Multi-Project Masters.mov 14.1 MB
V. Dithering/12. Using The Appogee UV 22 HR Dithering Plug-in/67. Where To Use The UV 22 HR.mov 13.8 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/40. Full-Range Compressors vs. Multiband Compressors.mov 13.5 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/06. The Loudness War - Daring To Be Neutral.mov 12.7 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/42. Using The MUTE And SOLO Controls.mov 12.7 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/41. Multiband Compressor Controls.mov 12.7 MB
III. Understanding Tone (EQ) Controls/09. The GEQ10 And GEQ30 Graphic Equalizers/61. Trying Different Graphic EQ Presets.mov 12.6 MB
III. Understanding Tone (EQ) Controls/09. The GEQ10 And GEQ30 Graphic Equalizers/60. The Filter Mode Settings.mov 12.6 MB
III. Understanding Tone (EQ) Controls/09. The GEQ10 And GEQ30 Graphic Equalizers/59. Outputs, Flatten, Range And Invert.mov 12.5 MB
II. Understanding Compressors/05. The Controls Of A Compressor/37. Attack, Hold, Release, And Auto.mov 12.2 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/23. Inserting The Mastering Plug-ins.mov 11.7 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/87. Feeling The Transitions.mov 11.7 MB
III. Understanding Tone (EQ) Controls/07. What Is Tone/49. Parametric EQ vs. Graphic EQ.mov 11.4 MB
II. Understanding Compressors/05. The Controls Of A Compressor/33. Threshold.mov 11.1 MB
VI. Mastering Your Project/14. Using All Your Mastering Plug-ins On A Real Project/73. Using The Multiband Compressor.mov 10.1 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/45. Trying Different Multiband Compressor Presets.mov 10.0 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/44. Adjusting The Output Gain.mov 10.0 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/28. Can I Use Mastering Plug-ins On Individual Tracks.mov 9.8 MB
II. Understanding Compressors/05. The Controls Of A Compressor/35. Make Up Gain (Output) And Auto.mov 8.8 MB
II. Understanding Compressors/05. The Controls Of A Compressor/34. Ratio.mov 8.7 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/20. Following Proper Mastering Plug-in Order.mov 8.7 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/29. Using Your Ears, Monitors, Headphones And Car Stereo.mov 8.5 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/10. Mastering For Different Musical Genres.mov 8.5 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/03. Analog Mastering vs. Digital Mastering.mov 8.4 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/51. Frequency And Gain.mov 8.4 MB
VI. Mastering Your Project/15. Matt's Mixdown Philosophy/83. Exporting To MP3 Resolution With Mastering.mov 7.8 MB
VI. Mastering Your Project/15. Matt's Mixdown Philosophy/80. Exporting To High-Resolution Without Mastering.mov 7.7 MB
I. Understanding The Art And Science Of Mastering/02. The Tools Of Mastering/13. Normalizing And Why You Shouldn't Use It.mov 7.7 MB
VI. Mastering Your Project/15. Matt's Mixdown Philosophy/79. Why 4 Mixdowns.mov 7.7 MB
VII. Multi-Project Mastering/16. The Importance Of Multi-Project Mastering/88. Crossfading Mastered Files.mov 7.7 MB
I. Understanding The Art And Science Of Mastering/04. Making A Master-Ready Mix In Cubase/26. Mastering After The Mix vs. During The Mix.mov 7.5 MB
IV. Understanding Limiters/11. Using The Cubase Maximizer/63. The Maximizer Plug-in Is A Mastering Limiter.mov 7.1 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/17. Plug-ins For Tone (EQ).mov 6.6 MB
IV. Understanding Limiters/11. Using The Cubase Maximizer/66. Soft Clip ''On'' Or ''Off''.mov 6.4 MB
I. Understanding The Art And Science Of Mastering/02. The Tools Of Mastering/12. The Top Speed Of Digital Audio Is 0 (Zero).mov 6.3 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/55. Trying Different EQ Presets.mov 6.2 MB
III. Understanding Tone (EQ) Controls/09. The GEQ10 And GEQ30 Graphic Equalizers/58. Sliders For Different Frequency Bands.mov 6.1 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/01. Goals Of Mastering In Cubase.mov 5.8 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/08. Don't Throw Away Your Bits (Maximizing Dynamic Range).mov 5.7 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/15. Mastering Limitations Of Cubase Studio 5 And Lower.mov 5.5 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/54. Bypassing Individual Bands And Bypassing The Entire EQ.mov 5.5 MB
I. Understanding The Art And Science Of Mastering/01. The Concept Of Mastering/02. What Is Audio Mastering.mov 5.4 MB
II. Understanding Compressors/05. The Controls Of A Compressor/39. Trying Different Compressor Presets.mov 5.1 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/21. Using The Cubase Plug-ins Reference Manual.mov 4.6 MB
II. Understanding Compressors/05. The Controls Of A Compressor/32. Compressor Are Like Rubber Bands.mov 4.5 MB
VI. Mastering Your Project/15. Matt's Mixdown Philosophy/81. Exporting To High-Resolution With Mastering.mov 4.4 MB
IV. Understanding Limiters/11. Using The Cubase Maximizer/65. Using The Optimize Control.mov 4.4 MB
VI. Mastering Your Project/15. Matt's Mixdown Philosophy/82. Exporting To CD Resolution With Mastering.mov 4.3 MB
III. Understanding Tone (EQ) Controls/07. What Is Tone/48. Tone Controls Found On Consumer Electronics.mov 4.3 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/16. Plug-ins For Compression.mov 4.0 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/56. Is The StudioEQ Plug-in Identical To The Channel EQ.mov 4.0 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/53. Moving The Controls.mov 3.8 MB
II. Understanding Compressors/05. The Controls Of A Compressor/31. Adding A Basic Compressor.mov 3.5 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/22. What The Click - Mac OS vs. Windows Mouse Commands.mov 3.5 MB
II. Understanding Compressors/05. The Controls Of A Compressor/38. Analysis (Peak And-Or RMS).mov 3.5 MB
II. Understanding Compressors/05. The Controls Of A Compressor/36. Soft Knee vs. Hard Knee.mov 3.4 MB
I. Understanding The Art And Science Of Mastering/02. The Tools Of Mastering/11. My Clients Say ''Make It Punchy, Shiny, And LOUD!''.mov 3.2 MB
I. Understanding The Art And Science Of Mastering/02. The Tools Of Mastering/14. The Concept Of Dithering.mov 3.2 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/19. Plug-ins For Dithering.mov 3.1 MB
I. Understanding The Art And Science Of Mastering/03. The Cubase Mastering Plug-ins/18. Plug-ins For Limiting.mov 3.1 MB
VI. Mastering Your Project/13. Using The Multiscope Plug-in/71. Using The Multiscope In Phase Correlator Mode.mov 2.7 MB
IV. Understanding Limiters/10. What Is A Limiter/62. A Limiter Is Like A C-Clamp.mov 2.7 MB
III. Understanding Tone (EQ) Controls/07. What Is Tone/47. Tone, EQ, And Equalization Are Synonyms.mov 2.7 MB
III. Understanding Tone (EQ) Controls/09. The GEQ10 And GEQ30 Graphic Equalizers/57. The Concepts Of The Cubase Graphic Equalizer Plug-ins.mov 2.7 MB
VII. Multi-Project Mastering/17. Signing Off/90. Goodbye And Good Luck.mov 2.6 MB
II. Understanding Compressors/06. The Cubase Multiband Compressor - Your Deadliest Mast/46. Is The Multiband Compressor A Tone (EQ) Plug-in.mov 2.5 MB
V. Dithering/12. Using The Appogee UV 22 HR Dithering Plug-in/68. Choosing An Output Bit Resolution.mov 2.5 MB
V. Dithering/12. Using The Appogee UV 22 HR Dithering Plug-in/69. Setting A Dither Level.mov 2.3 MB
III. Understanding Tone (EQ) Controls/08. The Cubase Channel EQ/50. The Concepts Of The Cubase Channel Parametrics.mov 2.3 MB
IV. Understanding Limiters/11. Using The Cubase Maximizer/64. Setting The Output Level Control.mov 1.8 MB

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