[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

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Last Access Time	Sept. 27, 2024, 6:23 a.m.
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3. Using Modes/4. Analysis Missa Pange Lingua (Choir).mp4 40.5 MB
9. Welcome to Part 5!/1. Introduction to Part 5.mp4 39.0 MB
3. Using Modes/2. Analysis The Simpsons (TV Theme Song).mp4 38.6 MB
5. Consonance and Dissonance/4. Analyzing Intervals.mp4 28.0 MB
24. Harmonizing Melodies/3. Danny Boy (Example).mp4 27.5 MB
17. Welcome to Part 6!/1. Introduction to Part 6.mp4 26.0 MB
1. Welcome & Overview/1. Overview.mp4 25.8 MB
2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.mp4 24.4 MB
15. Fifth Species Counterpoint/2. Writing Free Counterpoint.mp4 24.1 MB
13. Third Species Counterpoint/1. Four-to-One Counterpoint.mp4 20.3 MB
12. Writing Second Species Counterpoint/2. The Melody Notes.mp4 20.0 MB
7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.mp4 19.2 MB
23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.mp4 19.1 MB
5. Consonance and Dissonance/2. Resolution.mp4 18.6 MB
9. Welcome to Part 5!/5. Review First Species Counterpoint.mp4 18.1 MB
14. Fourth Species Counterpoint/1. Rhythmic Displacement.mp4 17.8 MB
12. Writing Second Species Counterpoint/3. Harmony.mp4 17.4 MB
6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.mp4 17.4 MB
5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.mp4 16.5 MB
18. Composing in an 18th Century Style/2. Types of Motion.mp4 15.9 MB
7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.mp4 15.9 MB
19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.mp4 14.9 MB
2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.mp4 14.8 MB
6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.mp4 14.7 MB
11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.mp4 14.4 MB
6. Introduction to Counterpoint/1. What is Counterpoint.mp4 13.7 MB
24. Harmonizing Melodies/1. Harmonic Rhythm.mp4 13.7 MB
18. Composing in an 18th Century Style/6. Starting Intervals.mp4 13.4 MB
4. Deeper Into Intervals/3. Compound and Simple Intervals.mp4 13.4 MB
11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.mp4 13.3 MB
23. Voice-Leading on the Dominant/1. Resolving Leading Tones.mp4 13.2 MB
19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.mp4 13.1 MB
4. Deeper Into Intervals/7. Augmented and Diminished Intervals.mp4 12.7 MB
12. Writing Second Species Counterpoint/1. First and Last Measures.mp4 12.6 MB
20. SATB Composition/5. Doubling.mp4 12.6 MB
2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.mp4 12.5 MB
1. Welcome & Overview/6. Review Session Major and Minor Scales.mp4 12.5 MB
20. SATB Composition/6. My Country Tis of Thee (Example).mp4 12.2 MB
1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.mp4 12.0 MB
6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.mp4 11.8 MB
15. Fifth Species Counterpoint/1. Free Counterpoint.mp4 11.6 MB
14. Fourth Species Counterpoint/7. Consonant Suspensions.mp4 11.6 MB
18. Composing in an 18th Century Style/3. Chordal Dissonance.mp4 11.4 MB
7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.mp4 11.3 MB
6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.mp4 11.0 MB
12. Writing Second Species Counterpoint/4. Summary and Tips.mp4 10.6 MB
2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.mp4 10.6 MB
20. SATB Composition/2. SATB Notation.mp4 10.1 MB
1. Welcome & Overview/5. Asking Questions.mp4 9.8 MB
4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.mp4 9.8 MB
7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.mp4 9.7 MB
14. Fourth Species Counterpoint/8. Chains of Suspensions.mp4 9.7 MB
6. Introduction to Counterpoint/2. The Different Species of Counterpoint.mp4 9.7 MB
4. Deeper Into Intervals/8. The Tritone.mp4 9.5 MB
18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.mp4 9.4 MB
22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.mp4 9.4 MB
11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.mp4 9.3 MB
4. Deeper Into Intervals/5. Rules for Inversions of Intervals.mp4 9.0 MB
13. Third Species Counterpoint/3. Double Neighbor Tones.mp4 8.9 MB
14. Fourth Species Counterpoint/6. 9-8 Suspensions.mp4 8.9 MB
3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).mp4 8.8 MB
3. Using Modes/5.1 21-Missa_Pange_Lingua_PDF.pdf.pdf 8.8 MB
18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.mp4 8.6 MB
10. Second Species Counterpoint/2. Metric Accents and Diminutions.mp4 8.5 MB
1. Welcome & Overview/2. Tools we will use in this course.mp4 8.5 MB
2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.mp4 8.2 MB
6. Introduction to Counterpoint/3. Connecting Melodic Intervals.mp4 8.0 MB
14. Fourth Species Counterpoint/4. 4-3 Suspensions.mp4 7.8 MB
21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).mp4 7.7 MB
22. More with Cadences/3. Half Cadences in 4 Voices.mp4 7.6 MB
19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.mp4 7.6 MB
2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.mp4 7.6 MB
17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.mp4 7.5 MB
14. Fourth Species Counterpoint/2. Suspensions.mp4 7.3 MB
10. Second Species Counterpoint/1. What's New In Second Species.mp4 7.3 MB
9. Welcome to Part 5!/4. Review Modes.mp4 7.2 MB
17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.mp4 7.2 MB
18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.mp4 7.0 MB
21. Phrasing in SATB Composition/3. Establishing the Dominant Area.mp4 7.0 MB
4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.mp4 6.9 MB
18. Composing in an 18th Century Style/4. Cadences.mp4 6.9 MB
22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.mp4 6.9 MB
19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.mp4 6.8 MB
10. Second Species Counterpoint/3. Resolutions.mp4 6.8 MB
20. SATB Composition/4. Voice Crossings.mp4 6.7 MB
14. Fourth Species Counterpoint/5. 7-6 Suspensions.mp4 6.7 MB
9. Welcome to Part 5!/2. Tools We Will Use.mp4 6.5 MB
14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.mp4 6.5 MB
20. SATB Composition/3. SATB Ranges.mp4 6.4 MB
24. Harmonizing Melodies/2. Texture.mp4 6.2 MB
17. Welcome to Part 6!/3. Tools We Will Use in this Class.mp4 6.2 MB
22. More with Cadences/4. Plagal Cadences in 4 Voices.mp4 6.1 MB
25. Wrap Up/2. Thanks & Bye!.mp4 5.9 MB
4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.mp4 5.9 MB
21. Phrasing in SATB Composition/2. Establishing the Tonic Area.mp4 5.7 MB
4. Deeper Into Intervals/9. Enharmonic Equivalence.mp4 5.7 MB
13. Third Species Counterpoint/2. The Cambiata.mp4 5.6 MB
14. Fourth Species Counterpoint/3. Going Downhill.mp4 5.4 MB
2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.mp4 5.3 MB
5. Consonance and Dissonance/3. Interval Classes.mp4 5.2 MB
3. Using Modes/1. From Old to New Again Modern Uses of Modes.mp4 5.1 MB
22. More with Cadences/5. Deceptive Cadences in 4 Voices.mp4 5.1 MB
16. Part 5 Wrap Up/1. What Comes Next.mp4 5.0 MB
2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.mp4 4.9 MB
2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.mp4 4.5 MB
20. SATB Composition/1. Writing SATB Lines.mp4 4.2 MB
2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.mp4 4.2 MB
10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.mp4 3.9 MB
25. Wrap Up/1. What Comes Next.mp4 3.8 MB
15. Fifth Species Counterpoint/3. A Brief History of Fux.mp4 3.6 MB
4. Deeper Into Intervals/6. Summary of Intervals So Far.mp4 3.5 MB
16. Part 5 Wrap Up/2. Thats it for Part 5!.mp4 3.5 MB
8. Part 4 Wrap Up/1. What Next.mp4 3.3 MB
8. Part 4 Wrap Up/2. Thats it for Part 4!.mp4 1.7 MB
3. Using Modes/3.1 19-SimpsonsThemeMuseScoreV2.pdf.pdf 639.1 KB
5. Consonance and Dissonance/5.1 38-J.S.Bach_Two_part_invention_no.8PDF.pdf.pdf 478.4 KB
3. Using Modes/7.1 23-Eleanor_Rigby_PDF.pdf.pdf 408.5 KB
17. Welcome to Part 6!/6.1 AllExamples.pdf.pdf 282.8 KB
14. Fourth Species Counterpoint/10.1 32-Worksheet4.pdf.pdf 280.3 KB
18. Composing in an 18th Century Style/8.1 13-Worksheet1v2.pdf.pdf 266.8 KB
11. Melodic Embellishment in Second Species Counterpoint/4.1 13-Worksheet1.pdf.pdf 262.3 KB
13. Third Species Counterpoint/4.1 22-Worksheet3.pdf.pdf 259.8 KB
12. Writing Second Species Counterpoint/5.1 18-Worksheet2.pdf.pdf 254.5 KB
22. More with Cadences/6.1 35-Worksheet5.pdf.pdf 167.8 KB
1. Welcome & Overview/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 159.9 KB
17. Welcome to Part 6!/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 159.9 KB
9. Welcome to Part 5!/3.1 3-blank-manuscript-paper-usletter-12-staves.pdf.pdf 159.9 KB
7. Writing Note-To-Note Counterpoint in Strict Style/5.1 53-Worksheet5.pdf.pdf 158.0 KB
15. Fifth Species Counterpoint/4.1 36-Worksheet5.pdf.pdf 145.9 KB
2. Modes (The Musical Modes, AKA The Church Modes)/11.1 16-Worksheet1.pdf.pdf 120.7 KB
19. Melodic Embellishment (in Chorale Textures)/5.1 18-Worksheet2.pdf.pdf 98.7 KB
6. Introduction to Counterpoint/7.1 47-ExampleFilesPDF.pdf.pdf 91.7 KB
25. Wrap Up/3.1 LastTipsV8.pdf.pdf 87.8 KB
5. Consonance and Dissonance/6.1 39-Worksheet3.pdf.pdf 84.4 KB
4. Deeper Into Intervals/10.1 33-Worksheet2.pdf.pdf 73.0 KB
21. Phrasing in SATB Composition/4.1 29-Worksheet4v2.pdf.pdf 72.7 KB
6. Introduction to Counterpoint/9.1 49-Worksheet4.pdf.pdf 68.8 KB
20. SATB Composition/7.1 25-Worksheet3.pdf.pdf 63.6 KB
17. Welcome to Part 6!/6.2 AllExamples.mscz.zip.zip 35.0 KB
23. Voice-Leading on the Dominant/3.1 38-Worksheet6.pdf.pdf 25.9 KB
7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.vtt 22.5 KB
6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.vtt 20.6 KB
13. Third Species Counterpoint/1. Four-to-One Counterpoint.vtt 20.6 KB
7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.vtt 19.7 KB
2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.vtt 18.9 KB
12. Writing Second Species Counterpoint/2. The Melody Notes.vtt 18.7 KB
12. Writing Second Species Counterpoint/3. Harmony.vtt 17.0 KB
9. Welcome to Part 5!/5. Review First Species Counterpoint.vtt 16.6 KB
14. Fourth Species Counterpoint/1. Rhythmic Displacement.vtt 16.6 KB
2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.vtt 16.0 KB
23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.vtt 16.0 KB
5. Consonance and Dissonance/2. Resolution.vtt 15.9 KB
5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.vtt 15.6 KB
3. Using Modes/4. Analysis Missa Pange Lingua (Choir).vtt 15.5 KB
6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.vtt 15.3 KB
15. Fifth Species Counterpoint/2. Writing Free Counterpoint.vtt 15.2 KB
24. Harmonizing Melodies/3. Danny Boy (Example).vtt 14.7 KB
12. Writing Second Species Counterpoint/1. First and Last Measures.vtt 14.1 KB
1. Welcome & Overview/6. Review Session Major and Minor Scales.vtt 14.1 KB
19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.vtt 14.1 KB
6. Introduction to Counterpoint/1. What is Counterpoint.vtt 14.1 KB
18. Composing in an 18th Century Style/6. Starting Intervals.vtt 14.0 KB
11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.vtt 13.5 KB
3. Using Modes/2. Analysis The Simpsons (TV Theme Song).vtt 13.4 KB
18. Composing in an 18th Century Style/2. Types of Motion.vtt 13.4 KB
4. Deeper Into Intervals/3. Compound and Simple Intervals.vtt 13.3 KB
4. Deeper Into Intervals/7. Augmented and Diminished Intervals.vtt 13.2 KB
20. SATB Composition/5. Doubling.vtt 13.1 KB
12. Writing Second Species Counterpoint/4. Summary and Tips.vtt 13.1 KB
15. Fifth Species Counterpoint/1. Free Counterpoint.vtt 13.1 KB
11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.vtt 12.9 KB
23. Voice-Leading on the Dominant/1. Resolving Leading Tones.vtt 12.7 KB
7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.vtt 12.3 KB
6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.vtt 12.1 KB
2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.vtt 11.9 KB
4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.vtt 11.5 KB
5. Consonance and Dissonance/4. Analyzing Intervals.vtt 11.5 KB
20. SATB Composition/6. My Country Tis of Thee (Example).vtt 11.3 KB
1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.vtt 11.1 KB
20. SATB Composition/2. SATB Notation.vtt 11.1 KB
4. Deeper Into Intervals/5. Rules for Inversions of Intervals.vtt 10.9 KB
18. Composing in an 18th Century Style/3. Chordal Dissonance.vtt 10.7 KB
18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.vtt 10.7 KB
1. Welcome & Overview/2. Tools we will use in this course.vtt 10.2 KB
6. Introduction to Counterpoint/2. The Different Species of Counterpoint.vtt 10.0 KB
6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.vtt 9.9 KB
10. Second Species Counterpoint/2. Metric Accents and Diminutions.vtt 9.4 KB
4. Deeper Into Intervals/8. The Tritone.vtt 9.2 KB
2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.vtt 9.1 KB
19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.vtt 9.1 KB
17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.vtt 9.1 KB
17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.vtt 9.0 KB
9. Welcome to Part 5!/1. Introduction to Part 5.vtt 9.0 KB
2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.vtt 8.9 KB
13. Third Species Counterpoint/3. Double Neighbor Tones.vtt 8.8 KB
21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).vtt 8.8 KB
6. Introduction to Counterpoint/3. Connecting Melodic Intervals.vtt 8.6 KB
14. Fourth Species Counterpoint/8. Chains of Suspensions.vtt 8.5 KB
21. Phrasing in SATB Composition/3. Establishing the Dominant Area.vtt 8.3 KB
11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.vtt 8.3 KB
10. Second Species Counterpoint/3. Resolutions.vtt 8.2 KB
14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.vtt 8.1 KB
1. Welcome & Overview/1. Overview.vtt 8.1 KB
22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.vtt 8.1 KB
4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.vtt 7.9 KB
18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.vtt 7.8 KB
10. Second Species Counterpoint/1. What's New In Second Species.vtt 7.8 KB
7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.vtt 7.7 KB
22. More with Cadences/3. Half Cadences in 4 Voices.vtt 7.7 KB
18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.vtt 7.6 KB
2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.vtt 7.6 KB
22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.vtt 7.6 KB
9. Welcome to Part 5!/2. Tools We Will Use.vtt 7.5 KB
14. Fourth Species Counterpoint/6. 9-8 Suspensions.vtt 7.5 KB
17. Welcome to Part 6!/3. Tools We Will Use in this Class.vtt 7.5 KB
14. Fourth Species Counterpoint/2. Suspensions.vtt 7.4 KB
19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.vtt 7.3 KB
18. Composing in an 18th Century Style/4. Cadences.vtt 7.3 KB
17. Welcome to Part 6!/1. Introduction to Part 6.vtt 7.1 KB
14. Fourth Species Counterpoint/7. Consonant Suspensions.vtt 7.0 KB
14. Fourth Species Counterpoint/4. 4-3 Suspensions.vtt 7.0 KB
2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.vtt 6.9 KB
13. Third Species Counterpoint/2. The Cambiata.vtt 6.8 KB
24. Harmonizing Melodies/1. Harmonic Rhythm.vtt 6.6 KB
4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.vtt 6.6 KB
20. SATB Composition/3. SATB Ranges.vtt 6.6 KB
19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.vtt 6.5 KB
21. Phrasing in SATB Composition/2. Establishing the Tonic Area.vtt 6.3 KB
5. Consonance and Dissonance/3. Interval Classes.vtt 6.3 KB
9. Welcome to Part 5!/4. Review Modes.vtt 6.2 KB
20. SATB Composition/4. Voice Crossings.vtt 6.1 KB
24. Harmonizing Melodies/2. Texture.vtt 6.1 KB
14. Fourth Species Counterpoint/3. Going Downhill.vtt 6.0 KB
25. Wrap Up/2. Thanks & Bye!.vtt 5.8 KB
22. More with Cadences/4. Plagal Cadences in 4 Voices.vtt 5.8 KB
3. Using Modes/1. From Old to New Again Modern Uses of Modes.vtt 5.7 KB
3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).vtt 5.6 KB
22. More with Cadences/5. Deceptive Cadences in 4 Voices.vtt 5.6 KB
16. Part 5 Wrap Up/1. What Comes Next.vtt 5.3 KB
14. Fourth Species Counterpoint/5. 7-6 Suspensions.vtt 5.3 KB
2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.vtt 5.2 KB
2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.vtt 5.2 KB
10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.vtt 5.0 KB
4. Deeper Into Intervals/9. Enharmonic Equivalence.vtt 5.0 KB
20. SATB Composition/1. Writing SATB Lines.vtt 4.9 KB
16. Part 5 Wrap Up/2. Thats it for Part 5!.vtt 4.8 KB
4. Deeper Into Intervals/6. Summary of Intervals So Far.vtt 4.7 KB
2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.vtt 4.3 KB
25. Wrap Up/3. Bonus Lecture Discount Offers & Mailing List.html 3.9 KB
8. Part 4 Wrap Up/1. What Next.vtt 3.7 KB
1. Welcome & Overview/5. Asking Questions.vtt 3.5 KB
25. Wrap Up/1. What Comes Next.vtt 2.9 KB
15. Fifth Species Counterpoint/3. A Brief History of Fux.vtt 2.8 KB
8. Part 4 Wrap Up/2. Thats it for Part 4!.vtt 2.5 KB
1. Welcome & Overview/3. Update! MuseScore 3.0.html 795 bytes
17. Welcome to Part 6!/6. A Master MuseScore File.html 548 bytes
[FreeCourseLab.com].url 126 bytes
1. Welcome & Overview/4. [DOWNLOAD] Free Staff Paper.html 88 bytes
17. Welcome to Part 6!/4. [DOWNLOAD] Staff Paper.html 77 bytes
9. Welcome to Part 5!/3. [DOWNLOAD] Staff Paper.html 75 bytes
13. Third Species Counterpoint/4. [DOWNLOAD] Worksheet No. 3.html 53 bytes
22. More with Cadences/6. [DOWNLOAD] Worksheet No. 5.html 53 bytes
23. Voice-Leading on the Dominant/3. [DOWNLOAD] Worksheet No. 6.html 52 bytes
4. Deeper Into Intervals/10. [DOWNLOAD] Worksheet No. 2.html 52 bytes
3. Using Modes/3. [DOWNLOAD] The Simpsons (TV Theme Song) Sheet Music.html 51 bytes
3. Using Modes/5. [DOWNLOAD] Missa Pange Lingua (Choir) Sheet Music.html 51 bytes
3. Using Modes/7. [DOWNLOAD] Eleanor Rigby (The Beetles) Sheet Music.html 51 bytes
5. Consonance and Dissonance/5. [DOWNLOAD] Back 2 Part Invention No. 8.html 51 bytes
6. Introduction to Counterpoint/7. [DOWNLOAD] Example Analysis Files.html 51 bytes
2. Modes (The Musical Modes, AKA The Church Modes)/11. [DOWNLOAD] Worksheet No. 1.html 50 bytes
5. Consonance and Dissonance/6. [DOWNLOAD] Worksheet No. 3.html 50 bytes
15. Fifth Species Counterpoint/4. [DOWNLOAD] Worksheet No. 5.html 49 bytes
14. Fourth Species Counterpoint/10. [DOWNLOAD] Worksheet No. 4.html 48 bytes
7. Writing Note-To-Note Counterpoint in Strict Style/5. [DOWNLOAD] Worksheet No. 5.html 48 bytes
18. Composing in an 18th Century Style/8. [DOWNLOAD] Worksheet No. 1.html 47 bytes
11. Melodic Embellishment in Second Species Counterpoint/4. [DOWNLOAD] Worksheet No. 1.html 46 bytes
20. SATB Composition/7. [DOWNLOAD] Worksheet No. 3.html 39 bytes
6. Introduction to Counterpoint/9. [DOWNLOAD] Worksheet No. 4.html 36 bytes
12. Writing Second Species Counterpoint/5. [DOWNLOAD] Worksheet No. 2.html 34 bytes
19. Melodic Embellishment (in Chorale Textures)/5. [DOWNLOAD] Worksheet No. 2.html 23 bytes
21. Phrasing in SATB Composition/4. [DOWNLOAD] Worksheet No. 4.html 19 bytes

[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

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